This conversation gave me so much life!
This conversation gave me so much life!
Moya Bailey is a Black queer feminist scholar, writer, and activist. She is the co-author of #HashtagActivism: Networks of Race and Gender Justice and has a new book, Misogynoir Transformed: Black Women’s Digital Resistance, coming out May 2021. In this conversation, we talk about online communities of support and activism, racial inequalities in medicine, the healthcare system, artificial intelligence, and Moya’s term misogynoir, which describes a specific form of discrimination experienced by Black women.The Imagination Desk
Even though Democratic Vice Presidential Candidate Kamala Harris was the clear winner of last week’s presidential debate (the fly on Pence’s head notwithstanding), she was disparaged in right-leaning media for her physical appearance and comportment rather than the content of her responses. GOP pollster Frank Luntz claimed that undecided voters “did not find her authentic.” Fellow right-wing politicos Ben Shapiro and David Dudenhoefer (Republican candidate hoping to unseat Rashida Tlaib), both took to Twitter to fire off tweets about Harris’ face rather than her comments during the debate. Shapiro tweeted that Harris looked “deeply uncomfortable” and Dufenhoefer said she was “unlikeable with her smug facial expressions.” While this commentary that ignores the substance of Harris’ talking points in favor of focusing on her appearance is recognizable as the general misogyny that women negotiate, Harris is also navigating the way this misogyny becomes entangled with anti-Black racism. Bill O’Reilly offered faint praise, tweeting that Harris “comes across as articulate though her facial expressions are hurting her.” The word “articulate” is a known dog whistle for anti-Black racism as it is deployed with an assumption of surprise that Black people can communicate clearly and effectively.
The negative ways that Harris and other Black women are discussed in the media are an example of the confluence of misogyny and anti-Black racism. This brand of vitriol is called misogynoir, a term I coined as a graduate student in 2008. Misogynoir is the anti-Black racist misogyny that Black women experience, particularly in US visual and digital culture. Misogynoir is not simply the racism that Black women encounter, nor is it the misogyny Black women negotiate; it is the uniquely synergistic force of these two oppressions amalgamating into something more harmful than its parts.
One way that misogynoir becomes legible in the media’s treatment of Harris is through the frames used to discuss her historic but unsuccessful run for president. Her own political ambitions were minimized in favor of a narrative that she rode to political success on the coattails of her mentor turned (albeit briefly) boyfriend former San Francisco Mayor Willie Brown. News sources insinuated that she’d slept her way to the top, a charge rebranded when she joined the Democratic party presidential ticket as the vice presidential candidate through the short-lived “Joe and the Hoe” merchandise available for purchase at Amazon.com. The sexual tenor of these attacks on Harris are beyond the pale when compared to how white women politicians are criticized via general misogyny, like Hillary Clinton being called a bitch. While legitimate critiques of Harris’ record and political positions are ignored, the Jezebel stereotype of Black women as hypersexual and the “Angry Black woman” myth of Black women as loud and irate, dominate the framing of Harris in the public square.
In a recent study by TIME’S UP Now, researchers found that one-quarter of all reporting on Harris was racist and sexist, with the “Angry Black woman” stereotype used the most. Her Indian heritage is rarely brought up in media and when it is, it is often in ways that affirm her lineage, despite there being legitimate questions about the way caste and colorism may inform her politics. Harris is disparaged because she is a Black woman, not because she is a woman of color.
In my forthcoming book, Misogynoir Transformed: Black women’s digital resistance (NYU Press), I discuss the ways that Black women are using digital spaces to challenge the way misogynoir informs their lives and health. While mainstream and digital media can focus on Harris’ heritage and gender, Black women and their allies are wielding this same digital media to have more nuanced conversations about Harris as a candidate.
I was so fortunate to have been invited to participate in Crip Camp by the late Stacey Park Milbern. It was really important to me that my contribution pushed a conversation about disability and Blackness and I think I achieved that. I also got to meet and fan-girl over Alice Wong and her incredible book and collection, Disability Visibility. Here’s the recording in case you missed it!
I had the pleasure of speaking with Monica A. Coleman and Tananarive Due on the 6th episode of their Octavia Tried To Tell Us podcast Saturday. I was a guest to the show alongside one of my favorite Black feminist thinkers, Dr. Farah Jasmine Griffin.
We talked Parables, music, and masculinity. Take a listen and support the show!
Check out my intro to the community with my answers to three timely questions.
1. What are you looking forward to at MIT? I’m excited to be connected to feminists who are actively exploring the sciences. My course, “Black Feminist Health Science Studies,” [WGS.S10, offered Spring 2021] is really designed to make some critical connections between feminism, science, technology, and society. I really can’t think of a better group of students with which to explore these topics.
2. Your new book #HashtagActivism came out at a poignant time with Covid-19 keeping us home more. What are the crucial hashtags you are looking out for in the “new civil rights movement?” Unfortunately, I think we will continue to see hashtags that point to the public health crisis that is racism in the form of the names of extrajudicially killed Black people. I am excited about the hashtags that help expand our advocacy to behavior changes like #StayTheFuckHome and #MasksSaveLives.
3. Favorite song? If the class had a theme song it would be “Brujas” by Princess Nokia.Interview with MIT WGS
NEW YORK (Thomson Reuters Foundation) – A U.S. academic who coined the term “misogynoir” for discrimination against black women said hashtags like #BlackLivesMatter are helping activists to use social media to mobilise and demand justice.
Moya Bailey, co-author of a new book #HashtagActivism: Networks of Race and Gender Justice, coined “misogynoir” in 2008 after noticing that black women were often depicted as sex workers or unintelligent in the media or jokes.Ellen Wulfhorst for Reuters
Join authors Sarah J. Jackson, Moya Bailey, and Brooke Foucault Welles to look at how marginalized groups use Twitter to advance counter-narratives, preempt political spin, and build diverse networks of dissent. Learn more about the book: https://bit.ly/35DTLt4
Two in-person events were transformed into Zoom panels and they were wonderful! We also got to do one talk, our first book talk for #HashtagActivism.
The first was with the National Academies of Sciences, Engineering, and Medicine. I talked about Caster Semenya and the undue burden placed on Black women athletes when it comes to gender, sex, and sexuality.
Human beings have long called on science to define concepts of sex and gender and used them to characterize, classify, and divide. On Friday, March 13, the Committee on Women in Science, Engineering, and Medicine hosted a Women’s History Month event on Science, Sex, and Gender. Moderated by Harper Jean Tobin (National Center for Transgender Equality), a panel of experts explored the role of science in evolving and expanding notions of sex and gender in a discussion that centered the lived experiences of transgender and intersex women.
– Harper Jean Tobin, National Center for Transgender Equality (Moderator)
– Moya Bailey, Northeastern University
– Katie Dalke, Pennsylvania Psychiatric Institute
– Tori Cooper, Human Rights Campaign
– Katrina Karkazis, Brooklyn College/Yale University
The second panel was part of the launch of the Center on Digital Culture and Society. I talked about the need for creating a digital culture that honors pace and the humans hidden in the digital supply chain.
Center on Digital Culture and Society Digital Launch Symposium
FRIDAY, APRIL 3, 2020
TECHNOLOGY, RACE, + GENDER
Moderator: Sarah J. Jackson, University of Pennsylvania
Moya Bailey, Northeastern University
Kishonna Gray, University of Illinois at Chicago
Carrie A. Rentschler, McGill University
So geeked for this piece to have found a home at Feminist Media Studies! Special thanks to Erica Edwards for the invitation to Rutgers that really set this piece in motion!
An excerpt below…
“Black Museum,” the final installment of season four of the original series Black Mirror, incorporates many of the episodes that have come before it, creating an apotheosis episode that critiques the technophilia of the series. A Black woman administers justice and brings forth a rare, onscreen vision of a white man being held accountable for his racist violence. Told in three parts, with sci-fi elements that are reminiscent of the work of afrofuturist visionary Octavia Butler and borrow directly from famed illusionist Penn Jillette, “Black Museum” offers a welcome departure from the standard Hollywood tropes of magical negroes, white saviors, and Black victimhood. This British production and cast make the redress narrative possible, building on another yet unsubverted trope of Black British actors portraying Black Americans. It inspires viewers to consider the role of the museum, an institution that has long served as a compendium of technology and racialized gendered violence.