Moya Bailey

Thrown away where? The world is round.*

Category: Me (page 1 of 2)

From Anita Hill to Christine Blasey Ford, what’s changed?

 I was on Seattle’s NPR Station talking about  what has and hasn’t changed since Anita Hill’s testimony 27 years ago. You can listen here.

 

 

What I Hear When You Say…

When I first moved to Boston, I was invited to be a part of a PBS web series that questioned assumptions about sexuality and gender, among other topics. “What I Hear When You Say… When did you become gay?” troubles the heteronormative and trans-antagonistic assumptions that sex, gender, and sexuality are binary. Because it’s been a while, I would probably change my use of “spectrum” to “universe” but on the whole, I think the conversation is useful. Ohh and this episode was also a Webby Honoree!

Take a look!

Essence #Woke100

The best thing about these lists is the other people on them! So geeked to be named alongside all of these amazing Black women.

 

 

Some Thoughts on the Queer Eye Reboot

“Frankly, many of these men could be better served if there were a licensed therapist among the Fab Five,” she said, referring to the nickname for hosts Antoni Porowski, Bobby Berk, Karamo Brown, Jonathan Van Ness, and Tan France, who are food, design, lifestyle, grooming, and wardrobe coaches, respectively.

Some of my thoughts on the  Queer Eye Reboot.

On misogynoir: citation, erasure, and plagiarism

This piece has been years in the making! So grateful for you @thetrudz!

We, Moya Bailey and Trudy aka @thetrudz, had significant roles in the creation and proliferation of the term misogynoir. Misogynoir describes the anti-Black racist misogyny that Black women experience. Despite coining the term in 2008 and writing about the term online since 2010, we experience, to varying degrees, our contributions being erased, our writing not cited, or our words plagiarized by people who find the word compelling. It

 is not surprising that misogynoir would be enacted against the Black women who brought the word to public acclaim but it is nonetheless troubling. This is not to say that every time the word is used, our names need to be mentioned, but it does matter that our intellectual interventions are understood in proper context. In

this article, we interview each other and discuss the ramifications of the naming of misogynoir in digital media and its impact on our own lives.

Read the full piece here.

 

I wrote a thing…

that’s pretty personal.

I have, until recently, worked in disability studies as an accomplice, understanding myself as able-bodied and as someone who does not have physical impairments that impact my daily movement through the world.

More here.

 

Towards a Black Feminist Health Science Studies by Moya Bailey and Whitney Peoples

Black feminist health science studies (BFHSS) is a product of Hamer’s clarion call to attend to Black peoples’ health and wellness as an integral part of social justice labor. As such, BFHSS critically intervenes in a number of intersecting arenas of scholarship and activism, including feminist health studies, contemporary medical curriculum reform conversations, disability studies, environmental justice, and feminist technoscience studies (Bailey, 2016). We argue for a theory of BFHSS that builds on social justice science, which has as its focus the health and well-being of marginalized groups. We would like to move towards a social justice science that understands the health and well-being of people to be its central purpose. This formulation of BFHSS provides evidence of the co-constitutive nature of medical science and popular perception, underscoring the need to engage them simultaneously. Health is both a desired state of being and a social construct necessary of interrogation because race, gender, ablebodiedness, and other aspects of cultural production profoundly shape our notions of what is healthy (Metzl & Kirkland, 2010).

More here!

SWAG Diplomacy

Image of Swag Diplomacy Viewshare site

I’ve always loved building things. When I was a kid I used to have Dream Builders, which were essentially Legos for girls that were pastel pink and purple. I loved to build structures and pull them apart. As I recall, the sets steered you towards building “girly” structures like nurseries, and “playgrounds too, a building set made just for you…” Whoa! Jingles are marketing gold. Anyway, my early memories with these supposedly gender appropriate building blocks come back as I reflect on why DH gets me going. It’s in the building and making connections. I digress…

I’m happy to announce Dr. Stephanie Evans project “SWAG Diplomacy” a project built in Viewshare, a platform I taught her to use after I had the good fortune to learn about it at THATCamp CHNM. SWAG Diplomacy, as described by Dr. Evans, “maps locations of 200 African American autobiographers who wrote international travel memoirs.” You can click on a country and see all the famous African Americans who wrote about traveling there. You can click on a person and discover the places they traveled. You get a sense of the amazing places that Black folks have been and the cross pollination of cultures beyond the Diaspora.

Anyway, I’m excited that it’s up and ready to be explored. There’s nothing like working with a scholar and showing them there’s a way to get what they have in their head out into the world where others can access it. So proud to have been a part!

Tell your friends and check it out!

 

An Interview with L’erin Asantewaa of SisterFire

As the video states, L and I go way back. Here we are talking about two of my favorite projects I co-create: Quirky Black Girls and the Crunk Feminist Collective!

Oh and dig the Bobby B that opens up the video!

Media Make Change Interview!

I’ve been in the (e)news again!

This time, it was a two part interview with Tara Conley of the fabulous Media Make Change Organization. You can check out parts 1 and 2 here.

Here’s a little bit of what I had to say about the Digital Humanities:

…I think that’s why Digital Humanities is a good model. That is, it isn’t necessarily compartmentalized. You have academics with disciplinary training, you have computer programmers, you have librarians, and so on. You have people from different sectors who are all bringing their knowledge to the table on a particular issue or a particular project. This means that each person has to know what they need to know, but at the same time, you’re creating something together. It’s the collaborative spirit of Digital Humanities that is something we should really embrace and try to bring to other parts of the university.

I’m excited for the exposure and hopefully it leads to some job opportunities (hint hint readers)!

 

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